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It was David’s night last night … David Cook won the title of American Idol 2008 with 56% of the audience votes.

The rocker/bartender from Missouri won over little David Archuleta in a finale show that was full of special appearances and entertaining performances.

Lots of viewers and critics thought that David Archuleta was going to be the winner, even Cook himself said that Archuleta was the Idol Champion! It was somewhat of a surprise for all! Even Cook himself!

As for the show, it saw performances from the Idol finalists and Top 10 and other music stars like Seal, ZZ Top, Graham Nash, Carrie Underwood, Jordan Sparks, Donna Summer, Bryan Adams and an impressive performance from the contestants of "So You Think You Can Dance".

Congratulations David Cook!

It’s been a long and winding journey,
But I’m finally here tonight picking up the pieces walking back into the light
Into the sunset of your glory where my heart and future lies
There’s nothing like that feeling when I look into your eyes

My dreams came true when I found you; I found you, my miracle

If you could see what I see
That you’re the answer to my prayers
And if you could feel the tenderness I feel
You would know it would be clear, that angels brought me here

Nothing here before you
Feels like I’ve been born again
Every breath is your LOVE
Every heartbeat speaks your name

My dreams came true right here in front of you my miracle

If you could see what I see
You’re the answer to my prayers
And if you could feel the tenderness I feel
You would know it would be clear, that angles brought me here

It brought me here, to be with you
Ill be forever grateful, forever thankful

My dreams came true when I found you my miracle

If you could see what I see
You’re the answer to my prayers, oh…
And if u could feel the tenderness I Feel
You would know it would be clear that angels brought me here

You know i love you baby
And if you could feel the tenderness I Feel
You would know it would be clear, that angels brought me here

Jack Nicklaus and Tiger Woods.

Tiger Woods and Jack Nicklaus.

No matter which way you order it, the two will always be linked.

Nicklaus, the all-time leader in major victories with 18, exited the majors scene at golf’s birthplace, St. Andrews in Scotland.
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Nicklaus, 66, may have won "only" three British Opens (his fewest total among the four majors), but two of those victories were at the Old Course.

Woods, who is more than two-thirds of the way to Nicklaus’ amazing record, was there, switching the spotlight to himself in the final round by joining the Golden Bear as the only Americans to win twice at St. Andrews with a dominating performance for his 10th major (he’s at 13 now).

There we go again, Nicklaus and Woods, linked like few other athletes.

It’s simply hard to avoid.

(Did we mention that Nicklaus and Woods are the only two to win each major at least twice?).

What has made these two, arguably the two greatest golfers of all time, so exceptional?

Is it their skill?

Love of the game?

Determination?

Imagination?

Ball-striking

Creativity

Level of competition
 
Popularity

Putting as it turns out, it’s a bit of all of those, and much, much more.

These are the top 10 best movies of 2007 by Richard Corliss of time.com:

#1. No Country for Old Men

The good guy (Josh Brolin) steals $2 million in drug money. The implacably, mesmerizingly, astonishingly bad guy (Javier Bardem) tries to get it back. And a West Texas sheriff (Tommy Lee Jones) tracks their discursive trails. Adapting Cormac McCarthy’s novel, Joel and Ethan Coen have fashioned a nearly mainstream action movie that is dry, funny, beautifully acted, thrillingly cinematic. After two decades of being brilliant on the movie margins, the Coens are ready for their closeup, and maybe their Oscar.

#2. The Lives of Others

In a Communist dictatorship, the government spies on its own citizens. An East German official (the late, great Ulrich Mü) is assigned to bug the home of some theater people and in the process gets a dose of conscience. In February, Florian Henckel von Donnersmarck’s poignant, unsettling thriller won an Oscar as the Motion Picture Academy’s Best Foreign Language Film. Now it’s my favorite foreign language film too.

#3. Killer of Sheep

Completed in 1977 and virtually unseen since, Charles Burnett’s poetic document of family life in a Los Angeles ghetto finally got a decent release, and is now out on DVD. In sympathetic, unsentimental vignettes, we meet a slaughterhouse worker (Henry Gayle Sanders), his wife (Kaycee Jones) and two kids. As the children play games in the post-apocalyptic rubble of Watts, the man’s emotional exhaustion abrades against the woman’s sexual yearning. This is surely the finest, most uncompromising film by a black director. More than that, it’s an aching testament to the persistence of dreams amid desolation.

#4. Atonement

Poaching in Merchant-Ivory territory, director Joe Wright did right by Jane Austen’s Pride and Prejudice two years ago. He reunites with leading lady Keira Knightley in this Ian McEwan story about the naive perniciousness of youth. Saoirse Ronan is terrific as the confused 12-year-old, and as the tale twists over the decades, the mood shifts from beguiling to devastating.

#5. Sweeney Todd: The Demon Barber of Fleet Street

Adapting the 1979 musical about a barber driven mad by lost love and revenge, Tim Burton finds a pulsing, mournful heart inside Stephen Sondheim’s cold-steel lyrics — and then he rips it out. He applies the desaturated color scheme of Sleepy Hollow to the streets of 18th century London, where virtually everyone’s motives are venal and verminous. Cheers to Johnny Depp, who incarnates this Edward Razorhands with a dark, post-mortem passion. Depp’s a powerful singer, too.

#6. Persepolis

Marjane Satrapi grew up in Iran, first under the Shah, then in the more repressive shadow of the Ayatollah. She moved to Paris and sketched her early life into a graphic-novel memoir. Now, with co-director Vincent Paronnaud (known in comics circles as Winshluss), Satrapi has created something unusual: an autobiographical animated feature. The visual style is simple, almost monochromatic. But Persepolis is a legitimate descendant of the Disney classics: a coming-of-age tale, that manages to be both harrowing and exuberant.

#7. No End in Sight

In a strong year for political docs, Charles Ferguson’s study of the Iraq morass stands out for its comprehensive take on how we got there, why we can’t get out. Stubbornness is one reason, lack of intellectual curiosity another. As one ex-Bush official notes, when the President was presented with an analysis of the Iraq occupation, he didn’t even read the one-page summary. So Dubya probably won’t see this movie. Everyone else should, though. It’s the perfect stocking-stuffer for holiday enlightenment.

#8. In the Valley of Elah

A soldier back from Iraq is found dead, his body hacked to pieces. His father (Tommy Lee Jones) wants to know what happens, and enlists the help of a smart police detective (Charlize Theron). Paul Haggis’ drama, based on a true case, is a big improvement on his Oscar-winning Crash: strong in the sleuthing, sobering in its political conclusions. Jones’ dogged, drained humanity anchors this excellent drama about the war brought home — a potent requiem for our best intentions.

#9. Waitress

Nothing makes a critic feel worse than the emotional badgering of self-styled "feel-good" comedies. But this one I found pretty darned lovable. Keri Russell is the pregnant piemaker who is abused by her husband and attracted to her McDreamy OB-GYN. Writer-director Adrienne Shelly (who was randomly murdered before the film’s release) mixes the comic and social ingredients to make a film that’s bumptious, scrumptious fun.

#10. Beowulf

Robert Zemeckis’ version of the old saga announces the instant maturity of motion-capture animation (where actors perform their scenes and computer whizzes basically paint over them). Writers Roger Avary and Neil Gaiman have given the story a weird twist about halfbreed offspring and the need to kill them, but the film is still zesty, sexy fun. P.S.: While Beowulf is still in theaters, see it in the IMAX format. It’s 3-Delirious.